SOME WICKED: Dashiell Brown's Blog

Only available digitally right now, try Alphapup, this album should make quite a stir for fans of Bibio, Black Moth Super Rainbow, Tobacco, Caribou and other artists who are taking electronic music to another level. If it doesn’t, then I don’t know music. (I don’t really, I mean whoever says music can be known just doesn’t get it, right?) But there’s clearly a diverse and exciting electronic movement going on in LA right now as can be seen from the vid below, and Jogger’s brilliant song “Gorilla Meat” seamlessly blends electronic beats with Beach Boys/Fleet Foxes-like harmonies and was made the top tune at KCRW. And it gets lots of play on my show The New Spin as well, of course. But “Gorilla Meat” only scratches the surface of the sonic secrets this album gradually reveals, ranging from grimy drum n’ bass to screamo to 60’s folk and Yo La Tengo lo-fi indie rock sensibilities to techno, all sewed together by an electronic thread for the entire course of the album, much like The Flaming Lips with their sonic exploration on Embryonic. It forces anyone to reconsider the obsolete/tired belief that electronic and computer music is just about four-on-the-floor beats.

Anyone that’s been paying attention knows electronic music can serve as a magical window into exploring unlimited musical possibilities, not a trap at all. Jonathan Larroquette and Amir Yaghmai that is Jogger clearly respect this world by not abusing the freedom, rather they let the sounds breathe and take their space, allowing the sounds to take hold of us and then let go. Quite brilliant stuff, if at times a bit abrasive with the screamo in “Nephecide”, but the compositions are layered and complex, with lots to discover.

Daedelus, no stranger to innovative approaches to electronic music as he plays with it much like jazz musicians explore their modes, (check out his brilliant album Invention) does have a hand in the production of this album (I think), which is the first release on his new label Magical Properties. Based on this album, the future of Magical Properties looks rosy, indeed. Here’s that vid mentioned earlier.

Listen to Jogger on myspace. This is Some Wicked Essential for sure.

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The New Spin’s goal is to expose the great underground musicians of today. But given that 35% of everything The New Spin plays must be Canadian, I have discovered many great Canadian bands from among the piles of crap that’s out there. So here is a list in the order that I discovered them (kind of), the cream-of-the-crop Canadian bands making waves on The New Spin for 2009, some of which I have already written reviews for (they have links included.)

Of course, to listen to any of these artists, you can always tune in to the show every Thursday night on 93.5 CHMR-FM, online here, 9-11 Newftime, 7:30-9:30 EST, 4:30 Pacific. You should be able to find most of them on CBC Radio 3. I have added a few keywords to describe each artist in case you only like certain genres. SL means “sounds like.”

Tonight I will do a special show playing these artists, so tune in and hear the best of the best in Canadian music.

Hear a playlist of most of these artists here.

Timber Timbre (truly unusual folksongs, like Patrick Watson, this guy’s in a class all his own.)

Bruce Peninsula (dark choir/chamber folk, oh yes.)

Geoff Berner (Klezmer punk, what more needs to be said)

The Hylozoists (all instrumental like post-rock, but wow.)

Headache24 (SL Pixies)

Japandroids (SL Fugazi)

Olenka and the Autumn Lovers (if you like Dead Can Dance, etc.)

Weather Station (folk on the laptop loveliness)

Rae Spoon (how many transgendered folksingers do you know who sound like women but are actually men and who trade in their guitars for computers? not many, I’m sure.)

Patrick Watson (one of the best of the year, avant-garde/progressive indie folk)

The Torrent (dark 80’s inspired electro)

Pat Lepoidevin (amazing folk guitarist with an oh-so-sweet Scottish touch)

Eleazer Vs John (like Junior Boys?)

Tiga (play this at any club and watch them feet move)

Rural Alberta Advantage (dark, folky, I like them better than Elliot Brood)

Lovely Feathers (indie rock)

Hidden Cameras (80’s, New Order-ish, I love their new album)

Dan Mangan (folk, songwriter)

Wooden Sky (dark folk, reminds me of 16 Horsepower a bit)

Kids on TV Remixed V.1 from Blocks Recording Club (beats!)

Cousins (I can’t get play “Growling” enough)

Spiral Beach (kick-ass garage rock/punk)

Acres and Acres (lo-fi folksongs with St. John’s guest Amelia Curran)

Brock Geiger (banjo heavy folk songs)

Reverie Sound Revue (SL Stereolab)

Dark Mean (a little EP, but let’s see what they do in the future)

The Got to Get Got (fun fun in the sun indie rock)

Ambisonic (avant-garde-ish)

Jordan Klassen (love this guy from Calgary, oh my. SL Sufjan Stevens, David Pajo)

Gypsophilia (my interview with them is on my site here)

The Diableros (they have a new album, but haven’t heard it yet!)

The Danks (you love da danks if you love da strokes)

Flotilla (harp-based folk stuff from Montreal. SL Sunday All Over the World if you know who the hell that is)

Extra Happy Ghost (I only like one of the songs on this EP, but it’s so incredible I have to mention it. That would be “mash up: neither being nor nothingness”)

Vincat (Vincat!)

Rival Boys (alt-country, but their EP has grown on me)

Jesse Matheson (this guy’s songs are hilarious and oh so fun)

Octoberman (SL Calexico)

hellothisisalex (unusual chill-out chipcore or chipcore chill-out, whichever sounds better)

The Sales Department (electronic)

The Mountains and The Trees (from St. John’s, they’re making waves!)

Errand Boy (he moved away from St. John’s, too too bad, but keep an eye out for this dude)

Islands (not really underground, but whatever)

Language Arts (whoah, spoken word/hip-hop folk, cool…)

Fritz Helder (not really my favorite, but he has a very original electronic style that’s hard not to notice and that you may love, who knows)

Gregory Pepper and His Problems (problems? on his eclectic album With Trumpets Flaring I don’t see any problems, this guy’s uber-talented)

Makita Hack (straight up bluegrass, but awesome bluegrass at that)

Miss Quincy and The Ramblers (less exciting than Makita, but if you’re a bluegrass fan, why not?)

Woody Johnson (this guy’s a whiz on the acoustic blues front. so is Trevor Caswell, for that matter.)

Let’s Go to War (funky, electronic stuff, probably worth mentioning. SL Groove Armada)

We are Wolves (easily one of the best Canadian albums of the year, wow…)

Peace (who is this dude??? dark 80s-like stuff. SL early P.I.L. or Wilderness if you know them)

Minto (don’t know the album too well, but it’s produced by Steve Albini. yes, Steve Albini!)

The Fugitives (find me, find me! oh god, I’m drooling over them banjo licks.)

Digits (this guy emailed me and showed me his music. I cannot stop playing “Endgame”)

Jon and Roy (from BC, “Another Noon” is one of the best songs of the year.)

Vivian Houle (WTF???)

Rep by Pop (one of my favorite Canadian albums of the year, Cell Phone Camera, just wrote the review.)

Devil Eyes (very raucous, loud, but in a good, trashy-garage-rock-kind-of-way)

Sex with Strangers (I just love “We Want the Fire”)

Richard Laviolette and The Oil Spills (good folky stuff)

You Say Party We Say Die (yep, this is a good album, very punchy and lively)

The Racoon Wedding (like if Arcade Fire came from a bluegrass angle with some brass thrown in for good measure)

Okay, that’s it, I hope that’s enough to keep you busy for awhile, assuming you read this. I’ll post another list of the best underground artists from the rest of the world later. If you’re a new spinner, you already know them. If you need more, here is my list of top ten most under-rated records of 2008.

in sound,

Dashiell Brown

www.thenewspin.ca

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Exciting new Canadian electronica act, hellothisisalex has released their new album, the accidentals, using a blend of 8-bit video game music (think Commodore 64 or the Atari 2600) and moog patches, or chipcore, as their inspiration, similar to other bands using this sonic footprint such as Crystal Castles, Tobacco, and Black Moth Super Rainbow. I’d count Plone in there as well, recently made famous by none other than that Reese’s Peanut Buttercup commercial that ran all summer, taking us back to the days when patches on a keyboard were literally patched together by cables, not a button you could just push to change the “patch.”

Entirely instrumental, with smatterings of vocal samples and other creative digitalis, the album ranges from downtempo and chill to upbeat and fun to downright avant-garde. One listen isn’t nearly enough to catch all of the varied nuances this thrilling piece of electronica has to offer. Some tracks may stand out more than others, but the accidentals needs to be listened to with all the senses, like appreciating a fine wine or exotic cheese. You can’t get all the flavors in one bite. It goes deeper, and all the songs work together like an elaborately patched quilt (pun intended.)

A word of warning: it’s not a four-on-the-floor party starter, but I can imagine today’s DJs remixing their tunes for the club.

This video, inspired by their visit here in Newfoundland of all places says it all. Lobster Cove Head is in Gros Morne National Park and served as their inspiration for their new song, which also appears on the new album.

To learn more and to get your hands on the album, check out their website. You can also listen to cuts from the accidentals on my new show on electronic music, Other Frequencies, Tuesdays at 10PM on CHMR-FM, 8:30 Eastern.

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The 2009 2 CD Set Sampler of Portland Oregon’s PDX POP NOW is amazing, as I just featured it on The New Spin. Actually, I haven’t heard any of the 2nd disc, but who cares. I’m sure it’s great, too. So many great bands. Go to their website to learn more, and sample the album here. $8 bucks for a 2 disc set, is a steal. Incredible music is coming out of, and always has come out of, Portland. Portland is to new music as Seattle was to grunge.

Another incredible compilation out right now is Made in Iceland 2. Great stuff that gets spin on all three of my shows. Their website has tons of info about the bands on the compilation.

And don’t forget Merge’s SCORE! of course.

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I am debuting two new shows tonight on CHMR-FM, The Folkin’ Freak Show and Other Frequencies. I have happily agreed to share a pint with myself and discuss the ever-growing popularity of the new folk movement and my two new shows.

ME: Hi, thank you for taking the time to chat with me.

DB: No sweat, but let’s make this snappy. I gotta prepare for my shows tonight.

ME: OK, sure. So, why The Folkin’ Freak Show? Isn’t there enough folkin’ music in this town?

DB: No, you can never have enough folk music. Folk music is the music of the people, the John Doe’s of the world, and when you consider Newfoundland’s own history, it’s no coincidence folk and trad. is so important here. Folk is labor songs, maritime songs, mountain songs, railroad songs…rock n’ roll grew out of it. And look at all the folk festivals going on everywhere, not to mention all the great new folk music popping up in St. John’s. And Tom Power’s Deep Roots on CBC2. You have folk night at The Ship every Wednesday. So why isn’t there a local show about it? It’s about folkin’ time, don’t you think?

ME: But don’t you play folk music on The New Spin?

DB: Well, The New Spin’s focus is really on new music, hot off the press, with lots of punk, post-punk and indie rock—folk fans might not dig that. The New Spin was initially called The Folkin’ Freak Show, but when I saw how much insanely good new music was coming to CHMR, I realized I had to devote an entire show to just playing the new stuff. But I still find I’m gravitating towards the folk-oriented new stuff. It needs its own show.

ME: So will it just be new folk music, then?

DB: No. The New Spin is a showcase of all that is great out there right now, that isn’t getting radio play or much promotion. The Folkin’ Freak Show will be about folk and world music and discuss it’s historical importance and influence to today’s mass movement that has brought us the likes of Devendra Banhart, Iron and Wine, M. Ward, Bon Iver, Grizzly Bear, Fleet Foxes, Animal Collective, etc. It’ll be a mix of the old and new. There’s a whole slew of new Canadian folk, too, Timbre Timbre, Bruce Peninsula, Agnostic Mountain Gospel Choir… It’s a very exciting time for folk music. The Dark Was the Night comp is proof of this.

ME: Yeah, Grizzly Bear just hit the Billboard Charts with the likes of Eminem and Lady Gag. Animal Collective hit the charts at #13 with their latest release. Why do you think folk music is taking off again so suddenly?

DB: Well, it wasn’t suddenly, but Devendra Banhart has a lot to do with it when he released his critically-acclaimed album, Rejoicing in the Hands in 2004. But many other bands were doing the same thing, like Iron and Wine, Joanna Newsom, Coco-Rosie, Animal Collective, M. Ward…I think people were growing tired of shitty, compressed-to-death pop music which represented a growing commercialism and domination of the entire music industry which quickly killed the grunge movement in the 90’s. Folk music quickly moved in to fill the gap, but it took more than ten years for the world to catch on to this growing revolution. Malls are out, folk music is in. And now with the global economy in its fragile state…the new folk movement is going to speak to more people than ever. And it’s about folkin’ time.

ME: And aren’t you doing another new show after that?

DB: Other Frequencies, yes, a showcase of electronica and underground hip hop. What with Loft 709 on the go, Errand Boy, Le Malediction, Aoke, Sports, and Ye-Yeti, the popularity of electronica, dance and hip hop is growing, but there’s no show about it here either, and it needs a voice. New DJ’s are popping up and new electronica acts. Let’s support it.

ME: Do you plan on having guests on your show as you do on The New Spin?

DB: Funny you asked. Ryan Green of Patch is going to be my guest to help me launch Other Frequencies tonight. We’ll be spinning some Patch tunes, plus some of his favorite electronic tracks. Should be pumpin’.

The Folkin’ Freak Show roots through the backwoods to bring the best this folked-up world has to offer. Tuesday nights, 9-10 PM, streaming online on 93.5 CHMR-FM, or Rogers cable 942.

Other Frequencies is the first all-electronic show in St. John’s to get your booty groovin’, all genres of electronic music, from dub and grime to techno and trance. Tuesday nights, 10-11 PM, right after The Folkin’ Freak Show.

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Easily one of the most exciting releases of the year, Toronto’s The Torrent are Cameron Groves and ex Hidden Camera’s Mike Barry who left his band because it “felt like more of a job.” A fuse of early post punk and new wave (supposedly this might be considered “No Wave,”) The Torrent are not so much about rehashing old sounds, as blending the old with the new giving birth to a whole new post-millenial baby, what with minimal drum machines, atonal singing, scales and modes outside of conventional Western ones, not to mention the droning and Krautrock styles suggestive of the uberprolific Stereolab, and you have an idea of why this album should be on the top of your playlist. Cameron Groves also adds some intense violin to create the droning effect that I love with so much Scandinavian music, Swedish bands like Garmarna and Hedningarna. Other bands that come to mind are Early Jesus and Mary Chain, Joy Division, Bauhaus, B52’s, Beat Happening, Magnetic Fields, Public Image Ltd., etc. This is crazy good. Crazy good you can dance to, or drug out to, either way, you’d be a fool to overlook it. 

Hear it on The New Spin this Thursday night, 9-11 P.M. on 93.5 CHMR-FM, 7:30 EST.

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Not really, but close enough to get a buzz. I can’t stop listening to the album and it has totally grown on me. His voice sounds like Sufjan Stevens, but there’s a full electronica vibe going on amongst so much space which will leave you in a peaceful, meditative state, singing along to the wonderfully crafted songs like your favorite Grandaddy or Flaming Lips song that you just can’t get enough of. Just about every one of them stands out, I love almost all of them, save one, I think, which is still good anyways. It can start sounding a little cheesy at times, which brings me back to the time when I was listening to “I just called to say I love you” a million times on the plane when I flew to Taiwan way back when I was 10 years old, that song you love to hate, I mean it almost borders on schmaltzy, but not enough to turn me off. Somehow, this has now become my favorite album of the whole year. It just calls to me, to say “listen to me again and again.” And I do. I just absolutely love this wussy electronic Euro sing-songy stuff. Talk about stuff white people like. Ah, the Swedes, sometimes they just hit that perfect spot like no one else can. I really love Swedish and Norwegian music, it seems. I’m kind of ashamed I like it so much, but man, it really is compelling stuff. Speaking of Swedes, Fever Ray’s album is great, too. But I’m not into Royksopp’s latest at all. That was a dud for me.

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 My latest review: Transgendered Canadian alt-country/folk with an electronic twist!

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 I just finished my new folktronica album, Of A Time. Influenced by Eastern European sounds, folk music, blues, indie rock, and electronica.

There’s a little interview from The Scope below.

 

 

 

 

 

 

You can listen to the album here.

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I just finished my album for the 2009 RPM Challenge, and here are a couple of  tracks as a sneak preview, part electronic, part folk. enjoy!

Suzie and Fred.mp3

Happy Little Song.mp3

 

here’s an article about where my inspiration comes from

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